While the East digs out from under feet of snow and ice, Park City is dry as a bone. Desiccated slopes encircling Main Street ...

Elissa Suh speaks with Rafael Manuel about Filipiñana, his Jia Zhangke-EP’d feature debut that premieres at the 2026 Sundance ...

Chicken & Egg Films announces the participants selected for the 2026 (Egg)celerator Lab as well as the relocation of its ...

Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and Spotify. And if you’re ...

Scott Macaulay’s remarkable three-decade-plus tenure as Editor-in-Chief of Filmmaker, a magazine by and for indie filmmakers, coincided with momentous changes brought on by tech: the almost ...

Carolyn Michelle is an actress, producer, educator, and entrepreneur. Her credits include: Brilliant Minds, And Just Like ...

The Big Sky Documentary Film Festival announces the lineup for its 23rd annual incarnation today, and Filmmaker has an ...

Netflix’s ever-shifting catalog is subject to sudden deletions and additions, the latter skewed far more to recent fare than a balanced sampling of all film history. Still, careful mining reveals a ...

The Busan International Film Festival saw the launch of Screen X, a cinema technology that promises to offer audiences an immersive cinematic experience without the need to wear glasses. The South ...

For the first time since 2002’s Punch-Drunk Love, Paul Thomas Anderson has made a movie with a contemporary setting. To do so, he used a film format dormant for the last half century.

In the latest Marvel Cinematic Universe entry Thunderbolts*, a reluctant squad of antiheroes team up to save New York City. Behind the scenes, another superteam comprised of A24 alumni joined forces.

Over the last decade, Los Angeles-based film artist Anna Biller has eked out a small but fervid following; watching her films is like undergoing hypnosis by means of feng shui, wherein the viewer is ...